By Ghulam Yazdani; N.P. Chakravarti
Ajanta; the color and monochrome reproductions of the Ajanta Frescoes in keeping with images, with an explanatory textual content by way of G. Yazdani, and Appendix and Inscription. through N.P. Chakravarti. released lower than the specified authority of His Exalted Highness the Nizam.
Read or Download Ajanta; the colour and monochrome reproductions of the Ajanta Frescoes based on photography. Text PDF
Similar nonfiction_12 books
This learn demonstrates the functionality development of an air-to-air roof best unit (RTU) completed via optimizing an evaporator’s refrigerant circuitry utilizing evolutionary algorithms. the topic of this examine is a unit with a cooling ability of seven. five plenty (26. four kW). The RTU employs separate refrigerant cycles having separate compressors, condensers, and thermostatic enlargement valves (TXV) yet utilizing a unmarried evaporator slab within which separate refrigerant circuits are applied.
The breadth of clinical and technological pursuits within the normal subject of photochemistry is really huge, immense and comprises, for instance, such diversified parts as microelectronics, atmospheric chemistry, natural synthesis, non-conventional photoimaging, photosynthesis, solar power conversion, polymer applied sciences, and spectroscopy.
We often give some thought to Bible characters as dressed with their Sunday best---lookin' strong, smelling of feat, and preserving the posture of unshakeable religion. We surprise at those 'flawless saints' whereas pondering, 'Wow! i am not precious! ' good day, now not so quickly. think it or now not, the main celebrated humans within the Bible have been tormented by doubt, undesirable judgements, and not more than ideal reputations.
- Carving Devotion in the Jain Caves at Ellora
- Advances in lipid research. Vol.22, 1987
- Getting Started with Gulp
- The Appropriate Use of Neurostimulation: Stimulation of the Intracranial and Extracranial Space and Head for Chronic Pain
Additional resources for Ajanta; the colour and monochrome reproductions of the Ajanta Frescoes based on photography. Text
1 7 A R R IV A L O F T H E A R A JA W IT H B O D H I-T R E E : H IS N O T R E T IN U E TO W O R S H IP ID E N T IF IE D P la tes X X IV a, X X V a- 6 , X X V I and X X V II a-6 The scene is painted on the bach wall of the left aisle, behind pillars 3 to 9 in Cave X. IK E the preceding cave this also has frescoes o f different periods on its walls, the oldest, j according to a painted inscription, being almost coeval with the excavation o f the temple, which, according to another inscription carved on the right side of the outer arch, may be fixed in the early part o f the second century b .
PSri-Satakarni1). Such a visit to G aya, the place of the Buddha’s enlightenment, or to Sanchi, where, according to a contemporary inscription, the southern gateway was built by the sculptors o f Sri-Satakarni, cannot be regarded as improb able. A close study o f the fresco further reveals that the raja near the right end o f the paint ing has in front o f him , on the head o f the elephant on which he is riding, a vase with a leaf or a branch o f a tree rising from it. W ill it be too much to fancy that the raja is carrying a branch o f the Bodhi-tree with a view to planting it at his own capital?
Above the figure of the Buddha is the royal * T h e pillar on which this figure o f the Buddha » painted is sixth in the right row from the entrance of the cave. d . See Appendix, pp. 86 ff. * This may suggest the bh&tparia attitude. P L A TES X X X V - X X X V I I , XX X I X umbrella adorned with flags, and below it two cherubs who are bringing garlands from the celestial world to offer them to the Buddha.